arrow_up-blue blog branches consultations events facebook-icon facebook-icon2 factsheet forum-icon forum hands key link location lock mail measure menu_plus news pdf pdf2 phone policies publications related search share subjectguide twitter-icon word instagram-icon youtube-icon

Fashioning the image of the nurse

 Professor Anne Marie Rafferty CBE 20 Mar 2019 Prof Anne Marie Rafferty

Professor Anne Marie Rafferty CBE explores what uniforms tell us about women and power.

nurse uniform
Nurses embody the contradictions of women and power – both literally and symbolically, through their image and the details of their uniform.
 
Past depictions of nurses cover the spectrum of female stereotypes: from the ministering angel of the 19th century to the castrating dominatrix of Nurse Ratched in Ken Kesey's novel One Flew Over the Cuckoo's Nest; and the sexualised character played by Barbara Windsor’s Carry On Nurse.
 
While each of these portraits is a study in power, none of them are necessarily positive.
 
If anything, they can be read as misogynistic. After all, they all rely upon a male figure – a patient or a doctor – for their potency.
 
Hattie Jacques, the strong matron in Carry On Nurse, can only hold sway over her subordinates. Her authority, however, soon dissolves when set against her superior and the object of her affection, the surgeon.
 
Likewise, Nurse Ratched’s control knows no compassion in relation to her charge – the unruly, subversive patient, Randle McMurphy.
 
Perhaps there is something deeply ambivalent about nurses’ and, hence, women’s relationship to power, which is woven into the fabric of their uniforms and the twin traditions of religion and the military, to which they owe their roots?
 
Religious iconography symbolises compassion – the military screams discipline. Both are taken to extreme forms in screen representations designed to create humour or to stress control.
 
The sexy nurse, with her tight, short and revealing uniform plays off against modest religious dress, traces of which can be found in uniform of yesteryear – the veil-like head gear and hats.
 
Military links are, perhaps, more evident, through lapels, belts, buckles and regimental hemlines.
 
The Red Cross or military nurse – a vision of white plumage set against the mud and madness of World War One – is an example of a more positive representation, with such women regarded as symbols of feminine caregiving and hope.
 
Significantly, too, when nursing began to emerge as a profession in the early 20th century, advertisements for uniforms presented the nurse as an emblem of modernity – smart, efficient and svelte – a symbol of female independence, very much á la mode and in-tune with the latest fashion.
 
In 2019, modern day health care demands multi-professional working and, these days, nurses and doctors in hospitals don scrubs and have stethoscopes swinging round their necks.
 
But if uniform remains an index for women and power, perhaps we need to reclaim this power by thinking more carefully about our own image?
 
Professor Anne Marie Rafferty was speaking at a London Fashion Week event on women and power that took place to mark International Women's Day 2019.

Anne Marie Rafferty at London Fashion Week 2019

Professor Anne Marie Rafferty

Professor Anne Marie Rafferty CBE

RCN President

@annemarieraffer

Anne Marie is Professor of Nursing Policy at the Florence Nightingale Faculty of Nursing, Midwifery and Palliative Care at King’s College London. 
 
Professor Rafferty has been involved in the RCN since she was a student in 1977. She has previously acted as an RCN representative on the Health Quality Improvement Partnership and currently acts as a member of the Safe Staffing Expert Reference Group. She was named one of the 70 most influential nurses in 70 years of the NHS.

Page last updated - 02/04/2019